A Valentine’s Day ode to The Way We Were

Can it be that it was all so simple then?
Or has time rewritten every line?
If we had the chance to do it all again
Tell me, would we? Could we?
– Alan Bergman and Marilyn Bergman, lyricists, and Marvin Hamlisch, composer

Me at 11, 6th grade, Fall 1973, when the movie came out.

Me at 11, 6th grade, Fall 1973, when the movie came out.

When I saw that our local movie theater, the Cerrito Theater (10070 San Pablo Avenue, El Cerrito, 510.273.9102) was going to show The Way We Were on Valentine’s Day, I knew where I was going to be eating dinner that night. But it took some time to convince David to go. He agreed to go, and it’s one of the most sentimental Valentine’s Day “gifts” he’s given to me. It’s hard to believe that the movie celebrates its 40th anniversary this year. I remember seeing it in the theater when I was 10, and subsequent times after that (although I will say that I forgot a lot of the details of the movie). While the movie is flawed (read the Wikipedia entry on it; it’s fascinating) and those flaws were more evident tonight, it brought me back to the 1970s, to a nostalgic period in my life.I had created this acronym to describe myself when I was growing up – RISS, which stands for romantic, idealistic, sentimental, and sensitive. So you can imagine how this movie played out to a girl with that kind of hard wiring. I had a big crush on Robert Redford back in the day. And while I never considered Barbra Streisand beautiful, I admire her tenacity, passion, comedic impulse, and her sensuality, especially in the way she twisted her lips and worked her long fingers around Hubbell’s neck and shoulders and those blond locks.

The type of outfit Katie would wear at the radio station.

The type of outfit Katie would wear at the radio station.

I confess I had a little Katie Morosky in me in college. There is a scene in which Katie expects her story, which she crafted for three months, to be publicly praised in her creative writing class; instead, Hubbell’s story is read aloud. The next scene shows her dashing through the campus and stopping at a trashcan to tear up her story and throw it away. In one of my early creative writing classes at UC Davis, I modeled one of my stories after James Joyce’s Araby. The problem was that I stupidly mentioned it in class after a classmate asked me about technique. My professor, whom I admired greatly back then and still do to this day, said in his very formal tone of voice that it is fine to write like James Joyce but only if one is James Joyce. Everyone in the class laughed, and I was mortified. After class, I dashed across the quad to my dorm room, where I literally threw myself on my bed and cried. After my weeping, I sat up and told myself, well, you wish to be a writer, and if you want to write you have to put yourself out there. You have to accept the criticism, and learn and grow from it. It has never been easy, but it’s still true.

The perfect outfit to pass out leaflets in.

The perfect outfit to pass out leaflets in.

The second affinity I have with Katie is my sense of social justice and activism, which I confess was much grander and more passionate when I was younger, especially in high school, college, and in my twenties. I was very big on Greenpeace. In the same way Katie was handing out strike leaflets on the college campus,  I was distributing Greenpeace cards that said “Club sandwiches, not seals” and “No veal this meal” in the dorm dining hall. The back bumper of my lemon of a Volkswagen Rabbit was covered up with various stickers about saving whales and other such sentiments.Lastly, the college scenes reminded me of my own crush on a fellow English Department student, whom I scared away with my intensity. I asked him out to lunch and relived the encounter when reading about it in my college journal this past holiday. I had to laugh at the remembrance. He ordered the Steinbeck Salad, which astonished and delighted me because Steinbeck was one of my favorite authors at the time. But the kicker? He told me he wanted to join the Peace Corps. Just like I wanted to do. I remember meeting my roommate after lunch for the scheduled debriefing. I was head-over-heels in love. Steinbeck, the Peace Corps. It was meant to be. Only in my head. And so I completely empathized with Katie’s college crush on Hubbell.

An outfit Katie would wear to a screening of a movie for which Hubbell wrote the screenplay.

An outfit Katie would wear to a screening of a movie for which Hubbell wrote the screenplay.

One thing I appreciated in viewing the movie this time around was Streisand’s fashion sense through the decades. I thought I had more retro outfits, but not one that more closely matches the aesthetics of Katie Morosky. But I’ll give it a go, with an Enrado twist.

The kind of coat Katie would be wearing as she dashes across New York City streets. Tocca coat from Personal Pizazz (Berkeley, CA).

The kind of coat Katie would be wearing as she dashes across New York City streets. Tocca coat from Personal Pizazz (Berkeley, CA).

Watching the movie was a total indulgence for me. A walk down memory lane, making for a memorable Valentine’s Day evening. Next stop? The Mel-O-Dee Bar (240 El Cerrito Plaza, 510.526.2131) on karaoke night to sing Babs’ song!

Vintage brocade jacket reminiscent of the 1950.

Vintage brocade jacket reminiscent of the 1950.

1950s retro: structured jacket, wide-leg pants, and antique handbag.

1950s retro: structured jacket, wide-leg pants, and antique handbag.

Engaging with grace

Life is pleasant. Death is peaceful. It’s the transition that’s troublesome.
– Isaac Asimov, American science fiction writer and biochemistry professor

Mixing black and gray for the holidays, 2011.

Mixing black and gray for the holidays, 2011.

My mother’s passing still haunts me one year later. It is what I had expected. But last week, a number of events have kept me thinking about the other side. A good friend let me know that her elderly mother had been very sick and in the hospital for three days. She is thankfully recovering now in her assisted living facility. Another good friend texted me that a mutual friend, whom I hadn’t seen in a few years, was in the ICU, having suffered congestive heart failure and a stroke. And last Wednesday, as I was running an errand, I saw the result of an accident that must have happened mere minutes before I turned on the corner – a covered body on the street, an inconsolable woman standing on the sidewalk, and police cars redirecting traffic. The wail of a fire truck siren followed soon afterwards.

These events made me think about how things can twist and turn in a blink and take you down a different, sometimes dark, path – thoughts that seem to be especially prevalent as the years march on. Can we really ever be prepared for such tragedies?

Anatomy of black and gray: one o my favorite faux fur jackets, suede booties, and statement necklace from Anthropologie.

Anatomy of black and gray: one o my favorite faux fur jackets, suede booties, and statement necklace from Anthropologie.

In the fall of 2008, I attended the Health 2.0 conference in San Francisco as a reporter for my work. I wanted to cut out before the end of the first day of the conference, but something compelled me to stay for the last presentation. Alexandra Drane, founder and president of Eliza, began talking about her sister-in-law, who at the age of 32 was diagnosed with stage IV glioblastoma. I won’t tell you the rest of the story. You can read it and watch it here. Alexandra shared this poignant story amid many tears in the audience – both men and women, including the young mother who was sitting at my table. Alexandra helped found a viral movement, a nonprofit organization called Engage with Grace, which entreats us as family members and friends, with great humanity and love, to discuss end-of-life care. She asked that we answer the five questions brought up on the website, download the slide and share the story, and “get the conversation started.”

I was incredibly fortunate two years later to actually interview Alexandra at the same conference. I excitedly told her how moved I was by her presentation. Then I told her about my father’s passing, and how he died in his hospital room while we were on our way. I had always regretted – and I know my mother did, too – that he was alone. I told her that after his death, my sisters and I tried to talk to her about planning for her own passing, but she would hear none of it. It was bad luck to talk of such things. So that was the end of it. I then told her that after hearing her presentation, I brought it up to my mother the next time I visited her. (Little did I know that four years earlier, in 2004, she had written out her wishes for end-of-life determination. To this day, I don’t know what triggered her to decide what to do and to write it down, but I am grateful that she did.) Again, I was met with a rebuke for talking about such matters out in the open. That was the end of the discussion.

A very cold Northern California winter, January 2013.

A very cold Northern California winter, January 2013.

I also told Alexandra that after the conference, when I returned home that evening, I sat down and wrote about the presentation and the movement and send out a group e-mail to all my women friends. David and I filled out our advanced healthcare directive and dutifully sent it out to family members and our physicians. We and our family know what we want to do should we find ourselves in that difficult position.

But whereas advanced healthcare directive maps out what you do or don’t want to have done to you, there is no place on the form that asks you where you want to be when your life is coming to an end. It should. I recognize, however, that even if it did, their wishes may not be fulfilled.

My mother wanted to go home. She couldn’t really talk, but she mouthed it. It was plain to hear through the garble. It was obvious in the shape of her chapped lips. At first, my sisters and I thought she meant she wanted to go home to recover, not recover in the hospital. My sister, whom she lived with, brightly told her she needed to regain her strength before she could come home and, as an incentive, kept encouraging her to do her physical therapy, which my mother refused to do when the therapist came to her room. (My mother would look away, disinterested, and play opossum, but the moment a Filipino caregiver came into her room, she smiled, nodded her head, and weakly waved.) As my mother encountered setback after setback, I realized that she wanted to go home to die. She was done fighting, she was tired, she had told us as much with her eyes and her distorted speech, and she had nodded when we asked her, though we were not ready to let go.

When I was alone with her, on my watch, she told me again she wanted to go home, as if I was her only hope. I awkwardly asked my sister to grant her wish. My sister gave various reasons why it was not a good idea to bring her home. And then remembering Engage with Grace, I asked both of my sisters to watch the video and to consider the message. My sister finally responded. She respected the message, but she could not bring herself to do it. I was sad, but I totally understood where she was coming from. It was her home. It was her decision, not mine.

In the end, it was she whose stoicism failed her the night we let our mother go, not I – the “crybaby” of the family when we were growing up. It was she whose voice broke when we each eulogized our mother at her memorial service. And it was she who has to wake up every morning and go to bed at night in the house in which my mother would no longer walk in and out – her bedroom door, closed and white, which my sister would have to face coming in from the garage, like a canker sore on the heart.

If only we had discussed the matter when we weren’t in such a difficult situation. Maybe the outcome would not have changed at all. I don’t know. And in not knowing, and while still haunted, I can only spread the word. Engage with grace. There is great comfort in knowing what your loved one wishes and that there is time to prepare to honor their wishes.

Engage with grace. Amen.

Keeping the winter chill away with faux fur jacket and scarf (Restoration Hardware) and leather (Frye booties) and warm gold (necklace and bracelet by M.E. Moore and Monserat De Lucca crossbody bag).

Keeping the winter chill away with faux fur jacket and scarf (Restoration Hardware) and leather (Frye booties) and warm gold (necklace and bracelet by M.E. Moore and Monserat De Lucca crossbody bag).

Fifteen years later: On becoming a writer

Celebrating with glimmering gold.

Celebrating with glimmering gold.

The highest reward for a person’s toil is not what they get for it, but what they become by it.
– John Ruskin, British art critic

In 1997, when I began researching and then writing my first novel, I could not have imagined that in 2012 I would still be working on the umpteenth draft. If I had known how much time would pass, I might have given up. Thomas Edison was credited as saying, “Many of life’s failures are people who did not realize how close they were to success when they gave up.”

The thing is: I did give up.

The first draft was 1,000 pages. It was easier to write when my husband and I didn’t have children and my job was not demanding. My son came, I changed jobs a few times, job demands grew, and sleep deprivation was my companion in the middle of the night when I sat in front of the computer screen, writing articles instead of fiction. I finished another draft when I went into labor with my daughter. In 2006, I was finally done and sent the trimmed-down (at 650 pages) manuscript off to literary agents, only to get rejected by 60 of them. One writer friend exclaimed, “I didn’t even know there were 60 different agents to be rejected by.” The manuscript was too long and there was no market for a novel about Filipino immigrant farmworkers, labor unions and grape strikes, I was told. And I believed them. I also believed that a more talented writer would have made the novel more compelling. I understood that I was not good enough to have made it work against any and all odds.

So I gave up. I put the manuscript away. I stopped reading fiction and book reviews. I didn’t go into bookstores anymore. I did other worthy and necessary things in my life. I had some inkling that I would come back to the writing, maybe to the novel. Every now and then, through the years, my two high school best friends would ask me when I was going to resurrect Fausto, my main character, and his story.

For anyone who has known the passion of creating, who has experienced the ecstasy of getting the emotion or moment right with the precise words in the only order that makes exquisite sense, who has stopped whatever ordinary activity she is doing because she has solved a niggling and bottlenecking problem with a character’s motivations or actions, the desire to create is never abandoned. Somewhere deep inside me, I knew that.

When we are ready on the inside, it may still take time for that desire to radiate outward and make us aware of its awakening. Sometimes it takes an event in our lives that turns the key or opens the window, and the desire is unleashed and demanding to be nurtured and given the tools to create anew. I took a week of vacation in April to start the next major revision of the novel, and my happiness was palpable. I did not want to lose it again. Getting stuck on a word or a sentence was a gift, not something to agonize over or dread as a tedious task. Carving out time to reintroduce myself to my characters was a gift.

Gold accessories on gold brocade - my own vintage early 90s tassel earrings and M.E. Moore reclaimed vintage bracelet and necklace.

Gold accessories on gold brocade – my own vintage early 90s tassel earrings and M.E. Moore reclaimed vintage bracelet and necklace.

In May I submitted the manuscript to a local independent book publisher’s annual contest. I had high hopes, but my novel wasn’t chosen. I was disappointed to be sure, but undaunted. Last month, I heard from my undergraduate professor who, along with his partner, is an independent book publisher. I asked him to consider my manuscript, and while he didn’t accept it, he told me that he and his partner “enjoyed it and admired the sometimes quite lyrical prose” and that they “liked the rendering of the setting, at once exotic and universal.” This time I was ecstatic. He was one of the best creative writing professors I’ve ever had, and he gave me the gift of his time and his advice for the next and hopefully last revision. His response – the outside world’s response, so to speak – validated what I’d been feeling inside: I’m getting there, I’m on the right track.

In September I sent the manuscript to the Poets & Writers’ California Writers Exchange contest. Last week, I received an e-mail announcing the winning poet and fiction writer. I honestly did not expect to win, but there was an itch of disappointment. Yesterday, however, I received a letter, letting me know that I was one of 15 finalists whose manuscripts, out of a total of 609 fiction manuscripts, were sent to the fiction judge for his final selection. I was quietly happy. I felt a warmth growing inside of me.

Fifteen years later, this is what I know: In 2006, the novel was too long and I was not a skilled enough writer to make Fausto’s story resonate. I am a much better writer now and the novel is almost there. All these years of toil have made it thus.

A love of mixing textures again - thrifted embroidered purse, faux fur, Frye leather booties, textured tights, and bold jewelry by M.E. Moore.

A love of mixing textures again – thrifted embroidered purse, faux fur, Frye leather booties, textured tights, and bold jewelry by M.E. Moore.

Welcome to The Dress at 50

A new dress doesn’t get you anywhere;
It’s the life you’re living in the dress,
And the sort of life you had lived before,
And what you will do it in later.
– Diana Vreeland, fashion columnist and editor

When I turned 49 in February 2011, my family and I had recently lost our beloved 12-year-old dog Bailey and I began to think about and fear turning 50. I asked myself what it was about reaching this milestone birthday that made me apprehensive. The answer was simple: I had not accomplished what I had imagined for myself when I was in my idealistic 20s. In my fifth decade, I was sure that I would be on my fifth successful novel and my kids would be high school age. I had mapped out my life when I was a senior in high school – go to college, join the Peace Corps, go to a creative writing program and then the usual get a job, get married and have children.

Life has a way of twisting and turning, especially for people who have their lives mapped out quite early. A marriage, a divorce, another marriage, two children, two dogs and a handful of jobs later, I found myself in 2011 wanting to live fully and creatively. The novel that I had started in 1997 – which went through several major revisions, several hundreds of pages, kind and careful eyes of good friends – languished in 2006 when many literary agents said it was too long and not marketable. Creatively speaking, I sat down by the roadside and never got up. But I did not sleepwalk through life. I threw myself into raising my two children, volunteered at their schools – started an enrichment program and helped to raise funds, among other duties – and honed my editing and writing skills in the healthcare information technology industry.

Something was missing, and though I knew it, I needed to wait until I was ready to get up from the roadside. When 50 crept closer, I felt it was time. In 2011 I began to work on the novel again and thought of a lifestyle blog that celebrated creativity in every facet of my life. There were roadblocks along the way, but I slowly made progress. And then a few months before I turned 50, my 85-year-old mother was stricken with pneumonia and on New Year’s Eve we made the painful decision to take her off the ventilator.

I had always imagined handing my first published novel to my father, who appreciated my writing ability and was proud of my college degrees because his education in the Philippines stopped in the second grade, but he passed away in 1995. I began my novel in 1997 as an homage to his and his cousins’ immigrant lives in America. I had hoped to be able to hand this novel in published form to my mother. Instead, her passing lit a fire in me to finally finish my novel and to get that blog up.

The Dress at 50 seeks to embrace Diana Vreeland’s quote. Live fully and creatively. Make the world a better place. Feel good about yourself. Celebrate creation. It’s everywhere – in the way you choose to dress, make your house your home, spend time with your family and friends. It’s how you live your life.

So, here is my interpretation of living the creative life at 50. Every day I hope to share what inspires me.

Monochromatic dressing incorporating different textures and celebrating the color of winter

Wintery adornments, featuring earrings by Carmela Rose and Sundance rings and necklace

Blending different textures and materials in a neutral palette