New York, New York: the Met(s), Central Park, and Natural History Museum

But if I had to choose a single destination where I’d be held captive for the rest of my time in New York, I’d choose the Metropolitan Museum of Art.
 – Tim Gunn, American fashion consultant, television personality, and actor

Our second full day, we planned a trip to the American Museum of Natural History – the kids are big fans of the Night at the Museum movies – and catching a New York Mets game at Citi Field Park. I’ll admit that I was lukewarm about going to the Natural History Museum. At every natural history museum we’ve attended in past cities, I would check out the exhibits for a bit and then sit down and hang out until David and the kids were done looking around. While the Natural History Museum (Central Park West at 79th Street, 212.769.5100) was impressive in terms of its fossil and mammal halls, I still could only take so many dinosaurs and mammals in their natural habitat. I will say that the dioramas, which were beautifully rendered, were my favorite parts of the museum.

The entrance to the American Museum of Natural History (photo by David).

The entrance to the American Museum of Natural History (photo by David).

One of many, many dinosaurs (photo by David).

One of many, many dinosaurs (photo by David).

Up close of a squirrel in winter (photo by David).

Close-up of a squirrel in winter (photo by David).

White sheep on a narrow ledge above an Alaskan fjord (photo by David).

White sheep on a narrow ledge above an Alaskan fjord (photo by David).

One of the current exhibits, The Dark Universe, was shown in the Hayden Planetarium. Featuring detailed scenes based authentic scientific data, the movie “celebrates the pivotal discoveries that have led us to greater knowledge of the structure and history of the universe and our place in it – and to new frontiers for exploration.” Neil deGrasse Tyson, astrophysicist, well-known science communicator, and current Frederick P. Rose Director of the Hayden Planetarium, narrated the show. David and the kids really enjoyed learning about the revelations and mysteries of the universe that science has given us through space exploration. I enjoyed the cushy seat and air-conditioned room – a welcomed respite after walking around the museum’s expansive floors.

The kids with Teddy (photo by David).

The kids with Teddy (photo by David).

Citi Field Park: Mets versus Pirates
Our evening event was a night game between the Pittsburgh Pirates and the New York Mets in their fairly new ballpark, Citi Field Park, located in Flushing Meadows-Corona Park in the New York City borough of Queens. Citi Field Park, which was completed in 2009, replaced Shea Stadium. Ebbets Field (Brooklyn, 1913-1957) served as inspiration for the main entry rotunda and exterior façade made of red brick, granite, and cast stone. With a 41,800-seat capacity, Citi Field Park also contains the 3,700-square-foot Hall of Fame & Museum, which displays memorabilia, interactive kiosks capturing great moments in Mets history, and highlight videos celebrating the Mets biggest feats, including the 1969 and 1986 World Series championships. This stadium reminds me of the Baltimore Orioles’ Camden Yards in that the stadium is tall and you look down into the playing field, as if you were at the top looking down into a bowl. It makes for a cozy atmosphere.

Coming out of the subway and approaching Citi Field Park in Queens (photo by David).

Coming out of the subway and approaching Citi Field Park in Queens (photo by David).

The Big Apple outside the stadium (photo by David).

The Big Apple outside the stadium (photo by David).

When you walk in, you enter the Jackie Robinson Rotunda (photo by David).

When you walk in, you enter the Jackie Robinson Rotunda.

Me and Mr. Met (photo by David).

Me and Mr. Met (photo by David).

We got to see Andrew McCutchen – sans his famous dreadlocks – and his Pittsburgh Pirates play against the Mets, who were led by former Oakland A’s players, starting pitcher Bartolo Colon and left-fielder Yoenis Céspedes. Yes, Jacob got a Mets Céspedes shirt. The Mets dominated the game, leading 5-0. Unfortunately, we left the game midway to return to our apartment to watch the Cleveland Cavaliers beat our beloved Golden State Warriors. Jacob didn’t want to leave the park; we should have heeded his request because the Pirates came back in the eighth and ninth innings to make it a game, although they came up short in the end, 5-6. Our cuisine for the day was as touristy as you can expect – bland museum food and ballpark hot dogs. But it’s New York, which meant that it was pricey museum and ballpark food!

Looking down on the field from where we sit (photo by David).

Looking down on the field from where we sit (photo by David).

The most famous Pittsburgh Pirate - Andrew McCutchen (photo by me).

The most famous Pittsburgh Pirate – Andrew McCutchen.

Still pitching strong after leaving the Oakland A's - Bartolo Colon, who even had a base hit (photo by me).

Still pitching strong after leaving the Oakland A’s – Bartolo Colon, who even had a base hit.

Family portrait - with Isabella's book on iPad (photo by Apple).

Summer vacation family portrait – with Isabella’s book on iPad – a requirement in order for her to sit through a baseball game (photo by Apple).

The other Met: Metropolitan Museum of Art
On our third day, we returned to Central Park to take in the Metropolitan Museum of Art (1000 Fifth Avenue, 212.535.7710), which was nearly an all-day experience, though it still wasn’t enough time to see everything. We spent a good deal of time looking at all the Impressionist paintings. The Met is home to so many famous paintings – Vincent Van Gogh’s Self-Portrait with a Straw Hat, Edgar Degas’ ballet dancers in paintings and statues, Édouard Manet’s Boating, Claude Monet’s Water Lilies and Rouen Cathedral – and all the major painters – Mary Cassatt, Alfred Sisley, Thomas Eakins, Winslow Homer, Georges Seurat, Johannes Vermeer, Paul Gauguin, Diego Velázquez, John Singer Sargent, and El Greco. Not unlike my Modern Museum of Art experience in New York a few years back, I would walk into room after room after room and see all these famous paintings that I learned about in my art history class in college.

Entrance to the Met (photo by David).

Entrance to the Met (photo by David).

Inside the entryway of the Met - beautiful domes (photo by David).

Inside the entryway of the Met – beautiful domes (photo by David).

Portrait of a Young Woman with a Fan (oil on canvas), 1633, by Rembrandt (photo by David).

Portrait of a Young Woman with a Fan (oil on canvas), 1633, by Rembrandt (photo by David).

Amazing lace detail (photo by David)!

Amazing lace detail (photo by David)!

One small room was devoted to drawings, which David and I both loved. This is called Intimacy (Conte crayon), 1890, by Theo Van Rysselberghe (photo by David).

One small room was devoted to drawings, which David and I both loved for their detailed rendering with pen, pencil, or crayon. This is called Intimacy (Conte crayon), 1890, by Theo Van Rysselberghe (photo by David).

Close-up of Intimacy. Look at the incredible attention to detail (photo by David)!

Close-up of Intimacy. Look at the incredible attention to detail (photo by David)!

One of my favorite paintings from my college art history class: Joan of Arc (oil on canvas), 1879, by Jules Bastien-Lepage (photo by David).

One of my favorite paintings from my college art history class: Joan of Arc (oil on canvas), 1879, by Jules Bastien-Lepage (photo by David).

Close-up of Joan of Arc (photo by David).

Close-up of Joan of Arc (photo by David).

The Little Fourteen-Year-Old Dancer (bronze, partially tinted, with cotton skirt and satin hair ribbon), modeled ca. 1880, cast 1922, by Edgar Degas (photo by me).

The Little Fourteen-Year-Old Dancer (bronze, partially tinted, with cotton skirt and satin hair ribbon), modeled ca. 1880, cast 1922, by Edgar Degas (photo by David).

Close-up of The Little Fourteen-Year-Old Dancer (photo by me).

Close-up of The Little Fourteen-Year-Old Dancer by Degas (photo by David).

Another view of The Little Fourteen-Year-Old Dancer by Degas (photo by David).

Another view of The Little Fourteen-Year-Old Dancer by Degas.

Vincent van Gogh's Self-Portrait with a Straw Hat (oil on canvas), 1887 (photo by David).

Vincent van Gogh’s Self-Portrait with a Straw Hat (oil on canvas), 1887 (photo by David).

Ophelia (mezzotint etching and stipple on chine colle; proof), 1866, by James Stephenson after John Everett Millais. Millais painted the original masterpiece, which is one of my all-time favorite paintings. Stephenson's print is a masterful print reproduction (photo by me).

Ophelia (mezzotint etching and stipple on chine colle; proof), 1866, by James Stephenson after John Everett Millais. Millais painted the original masterpiece, which is one of my all-time favorite paintings. Stephenson’s print is a masterful print reproduction.

This caught my eye! Interior of the oude Kerke, Delft (oil on wood), ca. 1650, by Emanuel de Witte (photo by me).

This caught my eye! Interior of the Oude Kerk, Delft (oil on wood), ca. 1650, by Emanuel de Witte.

Young Woman with a Water Pitcher (oil on canvas), ca. 1662, by Johannes Vermeer (photo by me).

Young Woman with a Water Pitcher (oil on canvas), ca. 1662, by Johannes Vermeer.

Moonlight, Strandgage 30 (oil on canvas), 1900-1906, by Vilhelm Hammershoi reminds me of our artist friend Gary Stutler. The Danish painter found inspiration in his apartment in Copenhagen (photo by me).

Moonlight, Strandgage 30 (oil on canvas), 1900-1906, by Vilhelm Hammershoi, reminds me of our artist friend Gary Stutler. The Danish painter found inspiration in his apartment in Copenhagen.

Another haunting painting reminiscent of our friend and artist Gary Stutler. Here, is The Doors (oil on canvas) by Belgian Xavier Mellery (photo by me).

Another haunting painting reminiscent of our friend and artist Gary Stutler. Here, is The Doors (oil on canvas) by Belgian Xavier Mellery.

So I chose this to show because we had a cheap reproduction above our piano in my childhood home. This is Two Young Girls at the Piano (oil on canvas), 1892, by Auguste Renoir (photo by me).

I chose this to show because we had a cheap reproduction above our piano in my childhood home. This is Two Young Girls at the Piano (oil on canvas), 1892, by Auguste Renoir.

The Organ Rehearsal (oil on canvas), 1885, by French painter Henry Lerolle.

The Organ Rehearsal (oil on canvas), 1885, by French painter Henry Lerolle.

Close-up of The Organ Rehearsal.

Close-up of The Organ Rehearsal.

Another favorite of mine: Pygmalion and Galatea (oil on canvas), 1890, by French painter Jean-Leon Gerome.

Another favorite of mine: Pygmalion and Galatea (oil on canvas), 1890, by French painter Jean-Leon Gerome.

The Boulevard Montmarte on a Winter Morning (oil of canvas), 1897, by Camille Pissarro.

The Boulevard Montmarte on a Winter Morning (oil of canvas), 1897, by Camille Pissarro.

Rouen Cathedral: The Portal (Sunlight) (oil on canvas), 1894, by Claude Monet.

Rouen Cathedral: The Portal (Sunlight) (oil on canvas), 1894, by Claude Monet.

Boating (oil on canvas), 1874, by Edouard Manet.

Boating (oil on canvas), 1874, by Edouard Manet.

La Grenouillere (oil on canvas), 1869, by Claude Monet.

La Grenouillere (oil on canvas), 1869, by Claude Monet.

Awesome close-up of reflections in the water in La Grenouillere.

Awesome close-up of reflections in the water in La Grenouillere.

Madame Manet (Suzanne Leenhoff) (oil on canvas), 1880, by Edouard Manet.

Madame Manet (Suzanne Leenhoff) (oil on canvas), 1880, by Edouard Manet.

Close-up of the brushstrokes of Madame Manet.

Close-up of the brushstrokes of Madame Manet.

Closer still!

Closer still!

Knights on horseback in the Arms and Armor Hall (photo by David).

Knights on horseback in the Arms and Armor Hall (photo by David).

Jacob in the Arms and Armor Hall (photo by me).

Jacob in the Arms and Armor Hall.

The Temple of Dendur
The kids’ favorite exhibit was The Temple of Dendur, an Ancient Egyptian temple built by Petronius, the Roman governor of Egypt, around 15 BC. It was dedicated to Isis, Osiris, and two deified sons of a local Nubian chieftain, Pediese and Pihor. Neither tomb nor tribute to a pharaoh, the cult temple honors the Egyptian religion’s gods and mythology. In response to the U.S. government helping to save many Nubian monuments from going under in the floods when the Aswan Dam was built, the Egyptian government gifted the temple to the United States in 1965. Many cities vied to house the temple in their museums, but in 1967 President Lyndon B. Johnson awarded it to the Metropolitan Museum of Art in New York City. It took nearly 10 years for the sandstone temple, which was disassembled and shipped in 661 crates, for the complete temple to reach New York City, and the exhibit wasn’t fully open to the public until 1994.

Impressive (photo by David)!

Impressive (photo by David)!

Column detail (photo by David).

Column detail (photo by David).

More details, which would have been vividly painted at the time (photo by David).

More details, which would have been vividly painted at the time (photo by David).

In 2015, through research, surveys and analysis of painted objects in the museum, the Met Museum Media Lab was able to determine the original colors of the temple, as temples in Egypt and the Ancient World were often vividly painted vividly. Since the temple was built during the reign of Augustus Caesar, two scenes on one of the walls depict Augustus wearing the traditional pharaoh garb. Interestingly, the temple bears three different graffiti marks made over the course of a few thousand years – some words written in colloquial Egyptian script in 10BCE, Greek Coptic Christian inscriptions in 400ACE when the temple was briefly converted into a Christian church, and “Leonardo 1820” by travelers of that year. The temple is displayed in The Sackler Wing in such a way that mimics the temple’s location in Egypt. The reflecting pool in front of the temple represents the Nile River, while the sloping wall behind the temple represents the cliffs of its original location. The wing’s designers positioned the glass on the ceiling and the wing’s north wall to be stippled in order to diffuse the light and make it resemble the lighting in Egypt. You can actually rent out the wing for weddings and other special events, which I’m sure costs a pretty penny, but what a way to impress your family and friends, eh? All in all, it is an impressive exhibit.

Inside the temple (photo by David).

Inside the temple (photo by David).

Photo opp (photo by David).

Photo opp (photo by David).

David and I love sculpture, so we spent time admiring the European Sculpture and Decorative Arts wing. What’s an exhibit without a Rodin? Of course, there were many Rodins to appreciate here. The Met clearly deserves another go around, so we expect to come back and make sure we cover the wings and rooms that we breezed through.

Hall of statues. The museum wasn't too crowded, which was nice (photo by me).

Hall of statues. The museum wasn’t too crowded, which was nice.

The Burghers of Calais (bronze) by Auguste Rodin. Modeled in 1884-95 and cast in 1985. The 1895 original is installed in front of the old town hall in Calais, France (photo by David).

The Burghers of Calais (bronze) by Auguste Rodin. Modeled in 1884-95 and cast in 1985. The 1895 original is installed in front of the old town hall in Calais, France (photo by David).

Close-up of The Burghers of Calais (photo by David).

Close-up of The Burghers of Calais (photo by David).

Ugolino and His Sons (marble) by Jean-Baptiste Carpeaux, 1865-67 (photo by David).

Ugolino and His Sons (marble), 1865-67, by Jean-Baptiste Carpeaux (photo by David).

Close-up of Ugolino and His Sons (photo by David).

Close-up of Ugolino and His Sons (photo by David).

Another close-up (photo by David).

Another close-up (photo by David).

Winter (bronze) by Jean Antoine Houdon, 1787 (photo by David).

Winter (bronze) by Jean Antoine Houdon, 1787 (photo by David). Hey, that’s me in the background.

Close-up of the beautiful and haunting Winter (photo by David).

Close-up of the beautiful and haunting Winter (photo by David).

We ate lunch at the American Art Café at the Charles Engelhard Court on the first floor, which afforded us views of Central Park on one side and views of the Neoclassical facade of the Branch Bank of the United States, originally located on Wall Street, inside the museum. On the opposite side, we also enjoyed our courtyard view of the Louis C. Tiffany-designed entrance loggia at Laurelton Hall, his country estate on Long Island. In between, 19th-century marble and bronze sculptures are adorned throughout the court, with the centerpiece being the gilded Diana by Augustus Saint-Gaudens.

The expansiveness of this atrium and courtyard was breathtaking - the facade of the Branch Bank of the U.S. (photo by David).

The expansiveness of this atrium and courtyard was breathtaking – the facade of the Branch Bank of the U.S. (photo by David).

Under the shifting light of the sun (photo by David).

Another view with the shifting light of the sun (photo by David).

The statues before the bank facade (photo by me).

The statues before the bank facade.

The loggia (photo by me).

The loggia, with the cafe on the right.

Another meh lunch at a museum, but at least we had a great location and view (photo by me)!

Another meh lunch at a museum, but at least we had a great location and view!

Central Park by horse
Since the museum is across the street from Central Park, we wandered into the park and walked around at first and then in search of a horse-drawn carriage. This has become a staple of our urban vacations for Isabella’s sake – taking a tour by horse. We did so twice in Philadelphia – in Amish country and in the city. Once we found horses and carriages galore further down 5th Avenue, we got a tour of one part of the park, which included the zoo, pond, and buildings in the background that were made famous in movies. Isabella even got to lead the horse for part of the tour.

Ready for a carriage ride (photo by our carriage driver).

Ready for a carriage ride (photo by our carriage driver).

David and Isabella, before she took our driver's invite to lead our horse through Central Park (photo by me).

David and Isabella, before she took our driver’s invite to lead our horse through Central Park.

Isabella and friend (photo by David).

Isabella and friend (photo by David).

Beautiful view of the lake (photo by David).

Beautiful view of the lake (photo by David).

Sibling quiet time together (photo by David).

Sibling quiet time (photo by David).

We closed out the day with dinner at Uncle Boons (7 Spring Street, 646.370.6650), a Thai restaurant in the NoLita (North of Little Italy) district not too far from our apartment. The food was good, but the portions were tiny (advertised large plates were in fact small, for example). It seems that many of the restaurant spaces here are tiny and tables are packed as a result. We found the noise level too high in many of the restaurants we patronized. But you can’t beat New York for the variety and the number of restaurants to satiate your hunger after a busy day touring.

Thai dish with clams and shrimp (photo by me).

Thai dish with clams and shrimp.

Ambiance of Uncle Boons (photo by me).

Ambiance of Uncle Boons.

New York, New York: Lady Liberty, Ellis Island, 9/11 Memorial Museum

There is something in the New York air that makes sleep useless.
– Simone de Beauvoir, French author and philosopher

When I was a child, we took trips to Los Angeles, where many of our relatives still lived after we moved to Terra Bella. A bunch of our families went to Morro Bay and Cayucos in the summertime for a few years; we kids swim or played in the cold water and watched as our parents fished. I spent a summer in the Philippines when I was ten years old – right before Ferdinand Marcos declared martial law. But outside of that, we didn’t have traditional family summer vacations.

We got spoiled on our cross-country flight - this Southwest Airlines plane was less than 24 days old! More leg room and they put those darn pamphlets on the upper part of the backs of chairs. Plus the overhead compartments are more streamlined. Thumbs up (photo by me)!

We got spoiled on our cross-country flight – this Southwest Airlines plane was less than 24 days old! More leg room and they put those darn pamphlets on the upper part of the backs of chairs. Plus the overhead compartments are more streamlined.

As a parent, I look at family summer vacations as opening up the world for my two kids. Since I’m an urban lover, we focused on exposing them to major cities in the United States – San Diego, Los Angeles, Seattle, Las Vegas, Boston, Chicago, and Philadelphia. Since I was going to be attending the FANHS 2016 Biennial Conference in New York in June, we decided to tack on a family vacation before my conference. I’m a little late in posting about this vacation. Usually, as many of you know, I’m up late the night of each vacation day, tapping away at the laptop to capture my memories and all the details, to keep everything fresh, mostly for my kids’ sake. But there wasn’t time during our trip, so August is a good time to reflect on this family vacation.

I’ve been to New York on business a number of times, and David joined me for one trip. We didn’t go to some of the obvious points of interest because we knew at some point we would take the kids. Let’s just say that we packed it all in this family summer vacation. One thing we did was purchase the City Passes, which was a great deal because we used every pass in the book, which is something we also did when we were in Chicago.

Welcome to the neighborhood!

Welcome to the neighborhood!

Airbnb in Little Italy
We stayed at our first Airbnb apartment on Mulberry Street right in the middle of Little Italy, which was a great location to catch many subway lines and to walk around in the evenings. When you walk out of our apartment building, you basically step out into Little Italy. The streets are blocked off to traffic on the weekends, big Little Italy signs flashed overhead, tourists walked up and down the street, and aggressive maître d’s tried to lure us to dine at their establishment. This scene reminded me of North Beach in San Francisco.

Our apartment with a view - the Empire State Building.

Our apartment with a view – the Empire State Building (photo by David).

Walking around the neighborhood in the evenings.

Walking around the neighborhood in the evenings.

The view from our bedroom. Impressive art (photo by me).

The view from our bedroom. Impressive art.

We were on the 7th floor, and we had a nice view of the Empire State Building. There were eight floors with four units on each floor. Our little apartment comprised one small bedroom, a closet-sized bedroom, bathroom, and a kitchen/living space, which was just right for us. The only thing about being on the 7th floor – without an elevator – is that at the end of the day, when you’re an exhausted tourist, you have seven flights of steps to your bed and sofa. If we had Fitbits, we surely would have logged thousands of steps each day. That first evening, we ate at Café Habana (17 Prince Street, 212.625.2001), a Cuban restaurant several blocks down; we were advised by our Airbnb owner that you don’t want to eat in any of the touristy Little Italy restaurants. We enjoyed the Cuban sandwiches – fresh citrus marinated roast pork, ham, Swiss cheese, and pickles on hero bread with chipotle mayonnaise – while the kids had roast pork plate with yellow rice and black beans. On the way home, we found the local grocery store so we could stock up on breakfast food and bottled water. I’m surprised that they don’t have a plastic bag ban in the City, especially since people shop more often during the week because there isn’t a lot of storage in people’s homes and most take public transportation to and from the grocery stores. That’s a lot of plastic bags. At any rate, we truly experienced the Airbnb marketing slogan: “Experience a place like you live there.” And so we did.

Looking up at Lady Liberty (photo by David).

Looking up at Lady Liberty (photo by David).

‘Liberty Enlightening the World’
The next day, we headed to the ferry at Battery Park in Manhattan to catch the boat to the Statue of Liberty. The beauty about going on vacation soon after school lets out is that it’s not too hot yet and many schools elsewhere haven’t been let out yet. As a result, neither the ferries nor the destination points were crowded. It was great to see in person such a famous statue and symbol that we’ve grown up knowing all our lives. We have tons of photos of Lady Liberty from all angles across the bay, Liberty Island, and the observation level (we didn’t have crown access). What was most interesting was walking through the museum and learning so many interesting things such as the face of Lady Liberty belonged to the sculptor Auguste Bartholdi’s mom and Gustave Eiffel designed the statue’s internal framework. At the time, 1886, the Statue of Liberty – atop its pedestal – was the tallest structure in New York City and the tallest statue in the world.

My teenagers with Manhattan in the background (photo by David).

My teenagers with Manhattan in the background (photo by David).

Up close (photo by David).

Up close (photo by David).

In 1865, a group of French intellectuals led by Edouard de Laboulaye, who were protesting political representation in their country, decided to honor the ideals of freedom and liberty with a symbolic gift to the United States, who was looking toward its centennial. Given the hot topic of immigration in our country these days, it was important for the kids to see what the Statue of Liberty meant at the time. While the country was grappling with massive immigration in the late 1800s, it was responding with a growing number of restrictive immigration laws. In 1883 young writer Emma Lazarus wrote a poem for the statue’s pedestal fundraiser called “The New Colossus,” after the Colossus of Rhodes, which was an ancient statue that became Bartholdi’s inspiration. In 1903, the poem was inscribed on a bronze plaque on the pedestal, which really remains true today as it was back then:

The New Colossus
Not like the brazen giant of Greek fame,
With conquering limbs astride from land to land;
Here at our sea-washed, sunset gates shall stand
A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.
“Keep, ancient lands, your storied pomp!” cries she
With silent lips. “Give me your tired, your poor,
Your huddled masses yearning to breath free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door.”

No, it's not a Trump political poster. It's a post-1980 Peace Corps Volunteers campaign that ends with: There are those who think you can't change the world in the Peace Corps. On the other hand, maybe it's not just what you do in the Peace Corps that counts. But what you do when you get back (photo by me).

No, it’s not a Trump political poster. It’s a post-1980 Peace Corps Volunteers campaign that ends with: There are those who think you can’t change the world in the Peace Corps. On the other hand, maybe it’s not just what you do in the Peace Corps that counts. But what you do when you get back.

Life-size model of the statue's face (photo by David).

Life-size model of the statue’s face (photo by David).

In all her majesty (photo by David).

In all her majesty (photo by David).

Back on the ferry with Manhattan before us (photo by David).

Back on the ferry with Manhattan before us (photo by David).

I asked the kids what they remembered most about their trip to Liberty Island. Jacob remarked that he didn’t realize how it was built – that the hammered copper pieces were riveted into place on the internal cast iron and steel framework. He says he isn’t interesting in studying engineering, but he certainly has a mind for it. Isabella, on the other hand, touched on an ironic fact that I was excited that she noted. It stood out for me, too. At the 1886 dedication, women were not allowed to participate in the unveiling or the parade. Imagine that! However, an enterprising and determined group of women took several boats out to Hudson Bay to celebrate. Good on them!

I got chills when we disembarked and approached the entrance of Ellis Island's Main Building (photo by me).

I got chills when we disembarked and approached the entrance of Ellis Island’s Main Building.

Ellis Island: first step to America
We hopped on the ferry to our next destination – Ellis Island, a place I was really looking forward to seeing. The Ellis Island Immigration Museum is big – I’m sure we didn’t see every little room. Stepping into the Registry Room, or the Great Hall, you get a sense of what it must have been like being an immigrant coming off of the ship and being herded into this enormous room, hoping that you’ll be able to walk out and onward to New York City. The island was named after its owner Samuel Ellis, who purchased the land in 1774. The federal government purchased the island for harbor defense in 1808 and built Fort Gibson in 1811. Between 1855 and 1890, individual states processed immigrants. Castle Garden, which is now Castle Clinton National Monument, served as the immigration station for New York State.

The Registry Room from the ground floor (photo by David).

The Registry Room from the ground floor (photo by David).

The Registry Room from the second floor (photo by David).

The Registry Room from the second floor (photo by David).

In 1900 the current Main Building opened. From 1901 through 1910, some 8.8 million immigrants arrived in the United States, with 6 million being processed at Ellis Island alone. A record 11,747 immigrants arrived there on April 17, 1907. When WWI broke out, immigration was curbed and enemy aliens were detained at Ellis from 1914 to 1918.  In the 1920s, federal laws set immigration quotas based on national origin. When WWII broke out, German, Italian, and Japanese aliens were interned at Ellis Island. In 1954, the Ellis Island immigration station closed permanently. In 1965, national quotas were abolished and Ellis Island became part of the Statue of Liberty Monument. The buildings sat deserted and in a state of decay, but restoration began in the 1980s and the Main Building opened as an immigration museum in 1990.

Lookey here! Filipinos are mentioned twice in the Ellis Island Museum timeline.

Lookey here! Filipinos are mentioned twice in the Ellis Island Museum timeline.

Second reference to Filipinos in America (photo by me)!

Second reference to Filipinos in America!

A total of some 12 million people came through Ellis Island. In the Registry Room, inspectors grilled immigrants with up to 31 questions. They had to give their name, hometown, occupation, destination, and amount of money they carried. One “trick” question asked was whether the immigrant had a job lined up already. You would think that the answer would be yes, but that isn’t what the inspectors wanted to hear because it meant that the immigrant was taking away a citizen’s job. While a third of those who “passed” stayed in New York City, the rest headed to other destinations. Those who were deemed mentally unfit were marked by chalk with an X on their lapel, which meant that they were going to have a difficult time getting through. While 20 percent were held back for further medical or legal examination, according to our guide, only about two percent were denied entry. One such denial was recorded by the granddaughter who retold the story in an audio file. Everyone in her family was let in, but her grandmother was sent back to Russia. The family never saw her again. That story haunts me still. And the granddaughter, now an elderly woman, wept with the retelling.

Goodbye, Ellis Island, as we chug back to Battery Park (photo by David).

Goodbye, Ellis Island, as we chug back to Battery Park (photo by David).

Alexander Hamilton's grave in Trinity Church's cemetery, near the World Trade Center (photo by David).

Alexander Hamilton’s grave in Trinity Church’s cemetery, near the World Trade Center (photo by David).

9/11 Memorial Museum: ‘a place of solemn reflection’
Who knew that we still had plenty of time left when we docked at the ferry station at Battery Park? With the new World Trade Center building rising in the sky before us, we decided to take in the 9/11 Memorial Museum. My sister Heidi and I saw the 9/11 Memorial in September 2012, when the museum was in a tiny space and we had to wait in a long line to walk through the small building that housed the artifacts from the attacks. At the Memorial Plaza, David and the kids took in twin waterfall memorials somberly and in silence. It’s quite a scene to behold, and all you want to do is stare into the bottom of the memorial and still not quite imagine what happened here. The first time I came to New York in 2008, I couldn’t help staring at the enormous crater as my Super Shuttle van zoomed by. Yes, that’s Ground Zero, my driver told me. Still a gaping hole.

The Memorial pool with the Museum in the background (photo by David).

The Memorial pool with the Museum in the background (photo by David).

The new World Trade Tower (photo by David).

The new World Trade Tower (photo by David).

The design of the lower part of the new World Trade Center tower pays tribute to the fallen towers (photo by David).

The design of the lower part of the new World Trade Center tower pays tribute to the fallen towers (photo by David).

The flow of the memorial pool water into the basin pays tribute to the design of the original Towers (photo by David).

The flow of the memorial pool water into the basin pays tribute to the design of the original Towers (photo by David).

Close-up of the lower part of the new World Trade Center tower (photo by David).

Close-up of the lower part of the new World Trade Center tower (photo by David).

The gleaming roof of the 9/11 Memorial Museum (photo by David).

The gleaming roof of the 9/11 Memorial Museum (photo by David).

Jacob in contemplation (photo by David).

Jacob deep in contemplation (photo by David).

The 9/11 Memorial Museum is an impressive, cavernous building, which is unique looking on the outside with all that shiny steel glinting in the June sun. It houses 110,000 square feet of exhibition space and is located within and surrounded by remnants of the original World Trade Center site. When you first walk into the entry of the Pavilion, you are in the atrium, which allows for a view of the South and the North memorial pools. The Foundation Hall, which is the largest space within the museum topping 60 feet at its highest point, contains remnants, including the slurry wall and the iconic Last Column.

The Tridents - two 80-foot tall steel columns that was part of the North Tower's exterior facade (photo by David).

The Tridents – two 80-foot tall steel columns that was part of the North Tower’s exterior facade – in the Pavilion’s atrium. Taken while going up the escalator (photo by David).

The 36-foot Last Column is covered with memorial inscriptions, mementos, and missing posters affixed by rescue workers, ironworkers, and others (photo by David).

The 36-foot Last Column is covered with memorial inscriptions, mementos, and missing posters affixed by rescue workers, ironworkers, and others (photo by David).

September 11, 2001, is the main historical exhibition, which comprises “three parts that explore the day of 9/11, what led up to the attacks, and the immediate aftermath.” Tribute Walk is a long hallway or alleyway with multiple artistic expressions created in response to 9/11. Memorial Hall is situated between the Twin Tower footprints. The quote – No day shall erase you from the memory of time – from Book IX of The Aeneid by Virgil, the ancient Roman poet, is emblazoned across the wall. The letters of the quote were forged by New Mexico blacksmith Tom Joyce from steel recovered from the World Trade Center. Surrounding the quote is a beautiful art installation around it called “Trying to Remember the Color of the Sky on That September Morning” by reflecting artist Spencer Finch. Comprising 2,983 individual water-color drawings, the art installation captures a unique shade of blue representing all the victims of both the February 26, 1993, and September 11, 2001, victims.

Virgil's enduring quote and Spencer Finch's beautiful art installation (photo by David).

Virgil’s enduring quote and Spencer Finch’s beautiful art installation (photo by David).

Understanding that everything about this museum is moving, one of the most emotional exhibits is the Memorial Exhibition. Along several walls are portrait photographs of all the victims. Housed in the middle of these walls of faces is an inner darkened chamber where you can sit on the bench lining the wall of the room and listen quietly to shared stories – by turns heartbreaking, heartwarming, amusing, and somber. “In Memoriam,” is a “quiet, contemplative space that invites you to honor and to learn more about each person killed in the two attacks.” When a family member, friend, or former colleague spoke, a picture of their loved one was projected on the wall, with a short biography and story. I remembered one story in particular that struck me as tragic among the tragic – of a young man in his twenties who worked his way up from being a janitor at the World Trade Center to being a trader for one of the firms there. He left a wife and three young children. I couldn’t help thinking, if only he were still a janitor, he would have already done his job the night before and not been in the building that fateful morning.

A moment of silence (photo by me).

A moment of silence and reflection.

The Museum opened on May 15, 2014. At the Museum’s one-year anniversary, the National 9/11 Flag, which is a tattered flag that was recovered from Ground Zero and, through the work of the nonprofit New York Says Thank You Foundation, subsequently restored via “stitching ceremonies” held across the U.S. was displayed. It is a heartfelt artistic endeavor that shows how united our various communities can be and how much love can be showered in a world darkened by fear and hate.

Remembering and not forgetting (photo by me).

Remembering and not forgetting.

I was so glad we as a family got to experience the 9/11 Memorial Museum. It’s a loving tribute to all the victims, their family and friends, the responders and their families and friends, and the resilient city of New York. Isabella wasn’t even born and Jacob wasn’t quite fifteen months old at the time. David and I were glued to the television set, watching CNN 24/7, and worried that Jacob would never live to adulthood because all we heard about was the threat of bioterrorism being unleashed around the world. Nearly 15 years later, there’s more hope in the world, despite the ever-present roiling dark clouds. Still, Virgil’s words are alive in my head: “No day shall erase you from the memory of time.” Amen.

With the Museum in the background....(photo by David).

With the Museum in the background….(photo by David).