The garden transformed

May I a small house and large garden have;
And a few friends,
And many books, both true.
– Abraham Cowley, 17th century English poet

So it begins. Spring has arrived and after last year’s disappointing gardening season, I knew a new beginning was in store this year. We are in the midst of a big landscaping project. We started with the side garden in late February – revitalizing the dahlias by digging them up, separating the tubers, replanting them in amended soil, and installing a new sprinkler system. I anxiously checked out the side yard every few weeks. In April, to my great delight, the soil broke as the dahlia plants slowly made their way to light. With great care, I sprinkled Sluggo and diatemaceous earth around the sprouts. I even came out in the evenings and early in the mornings to scrap slugs off the leaves onto the flagstone.

Dahlias sprouting in the pots.

Fledgling dahlias in the side yard in April.

Dahlias in pots and in the ground in the side yard.

Nurturing the dahlias with Sluggo and diatemaceous earth rings around the plants.

Then I hurt my back playing with our dog, Sammy. I couldn’t walk, drive, or move much. So for weeks I was unable to tend to my garden. And then after Mother’s Day I came down with a nasty virus. I’m still not quite over it, but I was able to get out this Memorial Day Weekend to work on the yard – placing the pots in the backyard, weeding, and pinching back buds so that the dahlias will give me big blooms. The leaves are still being eaten, so I need to take care of those insects, but after being absent from the side yard for weeks, I was pleasantly surprised to see how strong the stalks are.

An April birthday bouquet for Kelly – the calla lilies were starting to expire and the alstromeria were going bonkers.

Mother’s Day bouquet for my mother-in-law, Ann. One for Kelly and one in my heart for my mom.

A May 21st bouquet for Kelly reveals the first dahlia from the garden!

Close-up of the first dahlia, surrounded by hydrangea, dianthus, and alstromeria.

Another close-up with a delicate hydrangea.

One more close-up.

To date, 88 plants have sprung up. One dahlia – the orange and yellow ones in a pot – has bloomed. And more will be ready within a week or so. I have committed to the two school auction bouquets this year – my last year with Korematsu Middle School (as Isabella enters high school in the fall) and El Cerrito High School. One of the moms who got the Korematsu weekly bouquet is a repeat winner. She got it two years ago. She split with another family, so even though they agreed to have a bouquet every other week, I’m going to see if I can do two bouquets for each family each week for 10 weeks. And then the third one will be for the high school auction winner. And finally, this year I gave as a birthday present a weekly bouquet to my friend Kelly. Let’s see if 88 plants can give me four bounteous bouquets for 10 weeks, starting the first full week in June. Fingers crossed.

I was asked to make three bouquets for the graduating senior baseball players’ families, which I happily obliged for the May 3rd game.

I was able to use the watsonias from our front garden, even though the flowers were on their way out.

A little scabiosa and our neighbor’s succulent purple plant.

Just enough to make three bouquets at once.

The alstromeria will soon be giving way to the dahlia bouquets.

The ginger plants are sprouting like crazy, too. This ginger plant anchors this Memorial Day Weekend arrangement.

I’m really looking forward to this gardening year. In the backyard we will have six planting beds. Two for vegetables and four for flowers. I’d like to expand my dianthus garden. We’ll see what else the garden will grow this year. It should be a beautiful, colorful summer of flowers.

A healthy crop of dahlias.

A bit uneven as not all of the tubers sprouted.

I spent the weekend weeding and pinching back buds. I was heartened to see how thick the stalks are.

Even the dark corners are sprouting dahlias!

Fingers crossed for these vigorous dahlias!

The side yard dahlia garden is resembling the healthy garden of 2013.

Talking about the Filipino American experience at UC Davis

Ethnic studies may be effective because it is an unusually intensive and at-scale social-psychological intervention.
– Thomas S. Dee, professor at Stanford Graduate School of Education, director at the Stanford Center for Education Policy Analysis, and co-author of the report The Causal Effects of Cultural Relevance: Evidence from an Ethnic Studies Curriculum, a National Bureau of Economic Research working paper

The University of California at Davis is my alma mater, and while I was an English major, I was one class shy of having a minor in Asian American Studies. So I was very excited to have the opportunity to do a talk for Professor Robyn Magalit Rodriguez’s Asian American Studies class 150: the Filipino American Experience this past Thursday, April 27th.

The quad at UC Davis, where I spent many a sunny afternoon reading and having lunch with friends and classmates.

Another view of the quad. Lots of political signs up. I remember listening to Desmond Tutu speaking to a capacity crowd on the quad. Those were the days.

My older sister Heidi is also an Aggie alum. Here we are posing with some Aggie swag.

Professor Rodriguez showed Marissa Aroy’s documentary, The Delano Manongs: the Forgotten Heroes of the United Farm Workers Movement. Then I read an excerpt from my novel, A Village in the Fields. Afterwards, we did a Q&A session, which included my talking about the importance of Asian American Studies in my life – personally and with my writing. Professor Rodriguez and I both stressed the importance of recording the stories of our families, and emphasizing the value to our parents and grandparents of their stories. They need validation of the importance of their stories.

Reading an excerpt from the novel.

Talking about the process of writing A Village in the Fields.

Talking about the importance of Asian American Studies in my life.

I had the opportunity to talk with a number of students after the class. I am uplifted every time I spent time with college students, especially those in Asian American Studies. I was energized by their passion and commitment to AAS and the history of Filipino Americans.

Getting to know one of the AAS students who is majoring in history.

I really enjoy talking with students after events. Here, Rebecca is an English major who is minoring in AAS.

Who doesn’t enjoy signing books?

Thank you, Professor Rodriguez, for a great, enlightening evening!

Celebrating Cesar Chavez Day, University of CA, Office of the President

On Wednesday, March 29th, I was the guest speaker at a lunchtime event sponsored by the Latino Staff Association/Asian Pacific Islander Association affinity groups at the University of California, Office of the President (UCOP). The event, entitled, “When Mexicans and Filipinos Join Together: The Farmworker Movement and Unity in the Making,” was in celebration of Cesar Chavez Day. After reading an excerpt from my novel, A Village in the Fields, I sat down with Belinda Vea, Policy and Program Analyst in Student Affairs for UCOP who did her graduate work on Filipino literature, in an “in conversation” question-and-answer session. Belinda is also co-chair of the Asian Pacific Islander Association.

Among other topics, Belinda asked me about the research process and my family’s story within the novel. The floor was opened up to questions from the audience, which numbered between 45 and 50, which was really nice to see. It was gratifying not only to respond to such thoughtful questions, but to see the interest in people’s faces. In addition to UCOP employees, the event was also advertised to employees from Kaiser Permanente, whose building was across the street in downtown Oakland.

I’m posting photos taken of the event, with gratitude to the photographers, Juliann Martinez, Employee Relations Specialist and chair of the Latino Staff Association, who kindly extended the invitation to speak, Alina Tejera, Pamela Palpallatoc, and Ben Tsai, co-chair with Belinda of the APIA.

The flyer advertising the event.

A wonderful poster welcoming the audience.

A nice spread of Filipino and Mexican cuisine.

A very nice slide show of Filipino and Mexican farm workers was shown before the event.

Reading an excerpt from my novel.

A close-up of my reading.

Belinda Vea “in conversation” with me after my reading.

Belinda at the ready with her questions.

One of the things I talked about was the value taking Asian American Studies classes at UC Davis both in my personal life and in my writing.

An animated me answering a questions while the audience leans in.

A beautiful basket of vegetables and two of my books were raffle prizes at the end of the event.

Me with Pamela Palpallatoc, who works for UCOP and is a UC Davis alumna.

Talking beyond the lunch hour about Filipino American history.

My hosts – Belinda Vea, Ben Tsai, and Juliann Martinez.

LUNAFEST East Bay – 10 years, by the numbers

I think the best role models for women are people who are fruitfully and confidently themselves, who bring light into the world.
– Meryl Streep, American actress

As LUNAFEST East Bay wraps up its LUNAFEST season, it’s worthwhile to look at the committee’s impressive 10-year run.

Our VIP event.

Nineteen filmmakers have attended our film festival since its inception in 2008.

In 2015, Emily Fraser and Katherine Gorringe, were our guest filmmakers.

LUNAFEST screened a total of 89 short films “by, for, about women.”

The Lunafest filmmakers for the 2014-2015 season, at the San Francisco premiere at the Palace of Fine Arts.

Two hundred attendees came in 2008. Last year, 377 filled the El Cerrito High School’s Performing Arts Theater. The final numbers haven’t come out yet for this year, but we’re looking at approximately 325 people.

A full house once again!

LUNAFEST East Bay has raised $32,053 in its 10 years for the Breast Cancer Fund, now called the Breast Cancer Prevention Partners.

Jeanne Rizzo, RN, president and CEO of the Breast Cancer Prevention Partners, spoke at our 2015 event. She is amazing, energetic, and inspiring!

The committee raised $13,984 for El Cerrito High School’s Information Technology Academy (ITA), which has purchased, among other things, a 3D printer for the ITA students. LUNAFEST East Bay began funding the ITA in 2012.

The ITA students served food and greeted guests at the VIP event. They sold raffle tickets, checked in ticket holders, helped with the raffle prizes, and did so many other tasks during the evening that made for a smooth event. Thank you, ITA and committee members Melody Shah and Crystal Ngo, who oversaw the students.

At least 151 attendees filled out our 2017 survey. While many attendees hailed from El Cerrito (62), Berkeley (20), Richmond (17), Albany (14), and Oakland (13) were well represented at our event. For 31 people, it was their first LUNAFEST. Four people have attended all 10 screenings. Twenty people have gone five times, while 24 have gone three times, and 26 have gone twice.

Happy campers anticipate the 2017 screening.

How did our attendees find out about LUNAFEST? For 74, word of mouth made a difference. Emails drew 31 attendees, while the infamous “other” lured 47 attendees. One-hundred forty-four affirmed that they enjoyed the films, with 150 saying that they would tell a friend about next year’s LUNAFEST. So if you came this year or came in previous years but had a conflict this year, be sure to come next year and tell a friend. We’ll see you next year!

LUNAFEST in review – oh what a night!

Every accomplishment begins with the decision to try.
– John F. Kennedy, 35th President of the United States

Ten years ago, LUNAFEST East Bay was created, chaired by the indefatigable, ever resourceful, community leader Joann Steck-Bayat. This year, LUNAFEST toasted its first decade of bringing the traveling, fundraising film festival to El Cerrito. What a major accomplishment. And we are the richer for it. In the course of watching fabulous, funny, thought-provoking, moving short films “by, for, about women,” we have learned about environmental risks for breast cancer and supported research done by the Breast Cancer Fund, our main beneficiary.

As we enlarged our world view by watching films by women filmmakers all over the world, we raised money for El Cerrito High School’s Information Technology Academy (ITA) to purchase such equipment as a 3D printer and supplies. We were moved and exhilarated watching the short film that the ITA students put together to let us know how the money we raised for their program enriched them and enabled them to realize their creative dreams and carry out their technological projects.

We got to know, as one of this year’s guest filmmakers, Diane Weipert, noted, some “kick-ass” women who are making important films that speak to a woman’s point of view and are making noise to be heard. We hear!

The morning after, as I looked at all the photos that I and my behind-the-scenes LUNAFEST partner and husband took, I knew that I would let the photos tell the story of yet another successful LUNAFEST film festival. I ran into a friend as I walked our dog Sunday afternoon in the neighborhood. She called out, “Brava!” Another fine show. Thank you to my LUNAFEST committee members, our guest filmmakers – Lara Everly and Diane Weipert – to our families and the ITA students who helped us out, and to our wonderful community who welcomes us every year.

LUNAFEST filmmaker Diane Weipert and her son, Theo.

Welcome to the LUNAFEST VIP event! Our bubbly committee member Jeannine Pagan is ready to check you in.

Tanner Nevill, committee member Stephanie Nevill’s husband, is ready to hand VIP’ers their glass of champagne to toast 10 years of LUNAFEST East Bay.

Our ITA student greets our VIP guests.

Our LUNAFEST VIP event was catered this year by Joanne Bailey, owner and chef of J Gourmet Catering.

ITA servers offer vegetarian stuffed mushrooms and pulled pork sliders with coleslaw.

VIP attendees getting their raffle tickets.

LUNAFEST committee member Peggy Murphy is excited about the 10 raffle prize packages.

Our scheduled piano player didn’t show up, but one of the ITA students tickled the ivories in a pinch. Note the tip jar – a LUNAFEST East Bay VIP event staple!

Nice spread of fruit, veggies, cheese and bread and crackers, thanks to LUNAFEST committee member Stephanie Nevill.

The weather cooperated and many guests enjoyed the outdoors.

Our cheerful bartenders and runner – LUNAFEST committee member Rebecca
Boe’s son and husband and Hossein Bayat, committee chair Joann’s husband.

Our veteran raffle ticket sellers at the VIP event – Dylan and Wyatt, sons of committee members Anja Hakoshima and Peggy Murphy.

Anja’s husband, Tom, and son, Dylan, assist VIP guests on which raffle packages are the most popular – such as the $100 gift certificate to Chez Panisse.

Selfie with LUNAFEST filmmaker Lara Everly and Elease Lui Stemp, producer of Lara’s film, Free to Laugh.

Committee member Carol Seuferer and former committee member Rhoda Haberman.

Chatting it up outside where the temperature was pleasant.

Peggy, Stephanie, and Hazel Nevill – her first LUNAFEST as raffle ticket seller!

It’s time to head to the El Cerrito High School Performing Arts Theater. ECHS alumna Anna Schumacher, who was also a LUNAFEST filmmaker last year, was our master of ceremonies, and our guest filmmakers were Lara Everly and Diane Weipert.

Time to interview Diane and Lara on stage before the film screening (photo credit: David Rossi).

Diane discusses what inspired her short film, Ninera – her experience as a new mom amid the Latina nannies who were taking care of children other than their own (photo credit: David Rossi).

Lara talks about wanting to highlight an underserved community – women who were formerly incarcerated – in her short film, Free to Laugh (photo credit: David Rossi).

I really enjoyed how passionate Diane and Lara were when talking about their film projects and why they are so relevant in today’s world (photo credit: David Rossi).

Diane listens with rapt attention as Lara talks about her next project, Patriettes, about an undocumented girl who gets kicked out of the mock government summer camp. Lots of respect for each other’s work – and deservedly so! (photo credit: David Rossi)

Lara agrees with Diane about how politics is central to what they are creating – and how important it is to be vigilant about these issues, especially in today’s political climate (photo credit: David Rossi).

During intermission, the ITA table was covered by ITA lead teacher and LUNAFEST East Bay committee member Melody Shah and English teacher and committee member Crystal Ngo, with one of the ITA students.

Last chance to view the raffle prize packages!

Attendees knew where to go to get the scrumptious Braxtons’ Boxes baked goods in the lobby.

The best baked goods ever by Pamela Braxton and her son Zachary of Braxtons’ Boxes.

The films are done and now it’s time to announce the raffle ticket winners! Peggy entertained us while the ITA kids helped out. Side note – that’s my son, Jacob, trying to be cool on stage.

Somebody went home with this gorgeous and enormous bouquet of flowers.

The Pine family – Tim and Anne Marie and daughters Charlotte and Maddie – make it a family night at LUNAFEST. Thanks for coming out and supporting our film festival!

Laura Doggett: creating a space for girls to express their stories through film

The real voyage of discovery consists not in seeking new landscapes, but in having new eyes.
– Marcel Proust, French novelist

Community artist and educator Laura Doggett.

“Another Kind of Girl,” directed by Khaldiya Jibawi – which is a pseudonym to protect her identity – could not have been released at a more relevant time amid media attention on the Syrian refugee crisis and the hot-button topic of immigration. In this short film, an official selection of LUNAFEST Film Festival for 2016/2017, “a 17-year-old girl meditates on how her refugee camp (in Jordan) has opened up new horizons and given her a sense of courage that she lacked in Syria (her homeland).” The film was made in a workshop for teenaged girls run by Laura Doggett, a community artist and educator on a post-graduate fellowship from Duke University in 2014.

Khaldiya taking aim with her camera.

As a Felsman Documentary Fellow, Laura was paired with a Public Policy Fellow to conduct research for two months on girls’ access to education in Jordan – in Za’atari Refugee Camp. For her part, she was tasked with making a film. There was little time to do research on the topic before her arrival, but nevertheless Laura immersed herself in her new environment by giving the girls she was working with the opportunity to teach her through their perspective. “My natural instinct is to give them cameras,” she explained, of her teaching strategy but also her introduction to a new culture through her students.

Still from Another Kind of Girl.

Another kind of workshop
In her first workshop at the refugee camp, Laura and her translator and co-facilitator, Tasneem, taught photography to 20 girls, although two of them were more interested in video. When she returned later in the year (2015) through the International Rescue Committee, she worked in her preferred medium of video with five teenaged girls in Jordan’s northern city of Irbid. The camera became a way for the girls to develop a visual language to express their inner and outer worlds, according to Laura. “Since the first round of workshops, the girls expressed a desire to acquire deeper knowledge of the technical and artistic means to tell their community’s stories, as well as have a supportive community through which they can continue to create more work,” she explained. “From this desire grew the Another Kind of Girl Collective, an arts collective with their female peers that supports further learning, artistic production and social engagement.” As their producer, Laura entered their seven films in various youth film festivals around the world.

The young women in the collective share their work with one another.

To date, international festivals, such as Sundance, Cannes, and SXSW, have screened the films. Conferences focused on the refugee crisis, including the EU Conference on Women Refugees and Asylum Seekers, have showcased their films. The New York Times and National Public Radio’s Morning Edition, among other media outlets, have featured their works. The young women have also won numerous awards, which have included prizes such as a camera and computer, which the individual recipients have shared with the others in the Collective.

Laura, sharing her knowledge with the young women in the Collective.

Khaldiya fled from her hometown of Dara’a four years ago after Syria’s civil war broke out and now lives in Za’atari Refugee Camp. In a post from the Another Kind of Girl Collective website, she explained what filmmaking brought to her life: “In Syria, I didn’t even know how to hold a cell phone and film. Here I fell in love with filming. When I film I just feel at ease. It never crossed my mind that I would become a filmmaker, but when we took the course, I had it in my head that I wanted to be a filmmaker. When I film, I feel like I am someone very important.” Khaldiya wants to take become a leader in continuing the workshops – helping other girls in the camp to give voice to their stories through the arts and to drive change in her community through storytelling. In the meantime, Khaldiya is awaiting Laura’s arrival this month, so that Laura can attend her wedding. Laura keeps in touch with the young women from the workshops, and shared that a few of them have married “amazing” husbands who have supported their wives’ artistic endeavors. Khalidiya’s husband-to-be, too, supports her dreams.

Still from Another Kind of Girl.

Laura and Tasneem began the second round of workshops in November and December 2016, and will return this month to work with them on editing skills. “The workshop gives them a space where they continually create and and speak about being aware that they are providing something really valuable for their community – a collective of passionate, creative, vocal, compassionate, civic-minded young women – and to the world – a new perspective on the lives of refugees,” she said, of the young women. “They are looking for ways to make their day-to-day lives meaningful.”

Sharing and bonding time.

The power of storytelling
Laura has been helping young people – mostly young women – tell their stories and thus become empowered through creative expression for more than two decades. “I’ve always loved stories,” she noted, citing her father as “the first master storyteller in my life.” Laura, who earned her BA in English, Creative Writing, from Wesleyan University, was also inspired by Eudora Welty, the Pulitzer Prize-winning American short story writer and novelist. In a 2013 profile, Laura said of Welty, who wrote about the American South, “She made me want to write characters and stories just like hers, but before she even made me want to write, she made me want to observe.” The power of observation serves the artist well, but it also can inspire greater understanding of and compassion for communities outside of our own.

Capturing one of her students, Stacie, in Appalachia.

As an intern for the public radio documentary show, This American Life, Laura worked on a piece about Mexican-American teenagers and cruising. When she returned to her hometown of Washington, D.C., she ran a youth radio program. Laura spent many years in Appalachia, first directing a program in Kentucky called the Appalachian Media Institute, which trained young people to create documentaries about their own communities, and then later doing the same at High Rocks, a girls’ leadership organization in West Virginia. Laura worked with them to express themselves through media, particularly photography, video, and creative writing.

Filming her student Lauren in a program that she led while in her MFA program.

After her experiences in these various experiences, she decided to go back to school and earned her MFA in Experimental and Documentary Arts from Duke University. “It was an opportunity to continue to do storytelling with girls and young women, but to develop a more personal style of collaborating with them in ways that responded to individually their artistic voice and strengths, and the multitude of ways they chose to articulate their visions for themselves,” she said. In between the workshops in Jordan, as a Lewis Hine Fellow, Laura worked with young women aging out of the foster care system in the Bronx.

One of Laura’s students, Etta, imagines nature in the Bronx.

Nurturing Another Kind of Girl Collective
Laura’s visit to Jordan this month won’t be her last. She’s hoping to secure more funding to continue conducting workshops in Jordan, as well as to find the next community to share her passion for storytelling and to create more opportunities for young women to be heard and become empowered through film. Thus far, she’s been “running to keep up with the project,” but at some point she wants to take time out to strategize with the members of the Another Kind of Girl Collective. “The next step is to move towards making it self-sustainable, where they can continue to create media on their own, learn the various platforms and venues to share their stories and create dialogue, and then ideally also earn income for their media pieces,” she explained. She’s hoping that the women can build on their skills, get their own media out into the market, and create a successful business.

A lighthearted moment between Laura and her Syrian student.

“My desire for the films is what the girls’ desires are for their films as they’re being shown around the world,” Laura said, speaking as the Collective’s creative director. “They are smart, creative young women who have a unique perspective and a lot to say They are not passive or tragic beings, as mainstream media often present them. They are very vocal about wanting to be understood and heard as hard-working, motivated, creative visionaries. They also want their stories to encourage other girls and young women in difficult circumstances to express their most important stories.” Laura shared the sentiments of one young woman in the Collective, Walaa: “It’s important for girls to bring things from inside to the outside. Writing and filmmaking helped me not be afraid to tell my story. I hope that each young woman is able to express her inner-self directly and indirectly, and that she can just break the world. It doesn’t matter, just break it all over the place.…” Such passion and conviction are testaments to the value of artistic expression Laura has brought to these young women and our communities.

Note: You can see Laura’s short film at LUNAFEST East Bay’s screening on Saturday, March 18th, 7:30pm, at the El Cerrito High School’s Performing Arts Theater. For more information, click here.